MsC 565

 

Iowa Author Manuscript

 

  Manuscript Register

 

PAPERS OF RICHARD PIKE BISSELL

Collection Dates: 1951 -- 1973
13.5 linear ft.

 

This document describes a collection of materials held by the
Special Collections Department
University of Iowa Libraries
Iowa City, Iowa 52242-1420
Phone: 319-335-5921
Fax: 319-335-5900
e-mail: lib-spec@uiowa.edu

 

Posted to Internet: January1998
Addenda: 1988, 2004, 2006

 

Acquisition Note: These papers were given to the Univeristy of Iowa Libraries by Richard Pike Bissell and his widow, Marion Bissell, over a period of years. In 2004, Frank J. Anderson donated one linear foot of correspondence and manuscripts. The 2006 addendum, given by Bissell's wife and daughter, Anastasia, tripled the size of the collection.

 

Access and Restrictions: This collection is open for research.

 

Digital Surrogates: Except where indicated, this document describes but does not reproduce the actual text, images and objects which make up this collection. Materials are available only in the Special Collections Department.

 

Copyright:  Please read The University of Iowa Libraries' statement on "Property Rights, Copyright Law, and Permissions to Use Unpublished Materials"

 

Use of Collections:  The University of Iowa Libraries supports access to the materials, published and unpublished, in its collections. Nonetheless, access to some items may be restricted by their fragile condition or by contractual agreement with donors, and it may not be possible at all times to provide appropriate machinery for reading, viewing or accessing non-paper-based materials.  Please read our Use of Materials statement.  Prior to using collections, all readers are required to complete and submit a registration form.

 

Table of Contents

 

Biographical note

 

Scope and contents

 

Series I: Manuscripts

 

Series II: Frank J. Anderson addendum

 

Series III: Clippings

 

Series IV: Correspondence

 

Series V: Miscellaneous

 

Biographical Note

 

Richard Pike Bissell (1913 -- 1977) was a native of Dubuque, Iowa, which is located on the banks of the Mississippi River. Although he attended an elite prep school in New Hampshire and was a 1936 graduate of Harvard University, he never escaped the river's lure. After receiving his B.A. in anthropology, Bissell took a job as a seaman on the American Export Lines. In 1938, he married and returned to Dubuque, where he went to work in the family business. The couple bought a houseboat and lived on the Mississippi. Unable to enlist in the Navy during Word War II, he instead joined the crew of the Central Barge Company of Chicago. He worked on towboats on the Ohio, Mississippi, Illinois, Monongahela, and Tennessee rivers, rising from a deckhand to a river pilot.

 

When the war ended he returned to Dubuque and resumed his work for H.B. Glover Company, the garment factory founded by his grandfather a century earlier. Bissell began writing about his river experiences and had his stories published in journals such as Atlantic Monthly, Colliers, and Esquire. Bissell's greatest success came when he wrote a humorous novel based on the activities at the garment factory. 7 ½ Cents changed the Bissell's lives. The family moved to the East coast so he could turn the book into a musical play for Broadway. Now titled The Pajama Game, it was a smash and soon became a motion picture. This experience provided the fodder for his novel Say, Darling, which also became a Broadway musical.

 

Richard Bissell wrote twelve books and numerous articles over the course of his career. In 1975, the Bissell's moved back to Dubuque - to the house his grandfather built. He died there on May 4, 1977, at the age of sixty-three.

 

Scope and Contents

 

The papers of Richard Pike Bissell, dating from approximately 1952 to 1973, consist of five linear feet of manuscripts. Holograph and typescript drafts, galley proofs, editor's notes, source material and more and combine to document the writing of many of Bissell's novels. Some of the books include: 7 1/2 Cents, The Monogahela, Still Circling Moose Jaw, and High Water.

 

Frank Anderson was a friend of Bissell's. He was a librarian at Kansas Wesleyan University as well as the proprietor of a bookshop, first in Salina, Kansas and then in Spartanburg, South Carolina. He corresponded with Bissell, collected his books, kept bibliographic citations of reviews of Bissell's books and for biographical sources on Bissell. He published an article about Bissell in The Midwestern Review in 1964. In 2004, Anderson donated these papers to the University of Iowa.

 

Related Materials

 

Link to Bissell's page on the National Mississippi River Museum's web site


 

Box 1

 

Artwork by John O'Hara Cosgrove for New American Library

 

 

 

Series I: Manuscripts

 

Subseries A: Book and play manuscripts

 

 Good Bye Ava

 

 Original holograph draft (2 folders)

Typescript draft with revisions (2 folders)

 

How Many Miles to Galena?

 

Third draft (2 folders)

Unused chapters

 

The Monongahela (1952)

 

Coal Queen -- correspondence, 1949

Coal Queen -- original draft with revisions

 

Coal Queen -- final draft

 

Early draft with revisions

 

My Life on the Mississippi or Why I Am Not Mark Twain (Little Brown, 1972)

 

Printer's copy (2 folders)

 

Say, Darling

 

Original holograph draft (2 folders, including in Folder I, letter from Harold Matson)

Typescript 4 folders

 

 Box 2

 

Manuscripts, cont.

 

Say, Darling (cont.)

 

Printer's typescript

Galley proofs (uncorrected)

 

 7 1/2 Cents (Little Brown, 1953)

 

Chapter 20 -- Early draft with revisions

 

 1776

 

 Source material

Source material (newspaper clippings)

 

Original holograph draft

 

 Typescript including letter from Rhoda V. McIntyre

 

Galley proofs

 

 Still Circling Moose Jaw

 

 Source material

Original holograph and typescript drafts of chapters 1 -- 13

 

 Original holograph and typescript drafts of chapters 14 -- 22

 

Tentative titles

 

Typescript

 

 Galley proofs with corrections (3 folders)

 

Editor's notes

 

Final revisions

 

Box 3

 

Manuscripts, cont.

 

Still Circling Moose Jaw (cont.)

 

Miscellaneous pages

 

Travel Bug

 

Miscellaneous papers

Miscellaneous papers (4 folders)

 

Travel Bug (cont.)

 

Miscellaneous papers

 

1988 Addendum

 

Manuscripts, cont.

 

Continuing in Box 3

 

 High Water (Little Brown, 1954)

 

Original typescript (photocopy)

Afterword from the reprint done by the Minnesota Historical Society Press (photocopy)

 

2004 Addendum

 

Julia Harrington. Unbound page proofs. Gift of Frank J. Anderson

 

Subseries B: Short manuscripts and fragments

 

Continuing in Box 3

 

["The dirty dial"]

 

"Houseboat on the Mississippi"

 

["I guess if it hadn't been for our old apple tree"]

 

["I have been through "]

 

["It was early evening"]

 

"The Old Timer"

 

["On Sam Clemens"]

 

["Rinert Rinartson is"]

 

"Summer 1931"

 

["That day it rained"]

 

["The Tramps"]

 

["We came down the next"]

 

 

 

Series II: Frank J. Anderson Addendum

 

(Gift of Frank Anderson in 2004)

 

Anderson, Frank J. "The View From the River."

 

Prepared as a KWU Library Lecture for delivery on March 26, 1963. TMs with holographic corrections. 15 pp.

 

The Midwest Quarterly, Vol.5:No.4 (July 1964), pp.311-322.

 

TMs with holographic corrections by Anderson and the editor of The Midwest Quarterly. 11pp.

 

ccTMs. April 16, 1964 revision. 15 pp.

 

Bio-bibliographical materials for Richard Bissell. Anderson's notes

 

Correspondence. Mostly letters from Bissell to others. Correspondents include Mary Richards, Lee (Anderson notes that Lee was Bissell's Boston editor), Frank Anderson, Bill Richards, and Fred Bissell.

 

Correspondence between Frank Anderson and Richard Bissell

 

Obituaries for Richard Bissell

 

Reviews. Copies and tear sheets of book and theatre reviews from various newspapers and journals. Lists of book reviews created by Anderson. Pack of 3 x 5 slips with bibliographic citations for book reviews

 

River related clippings. Collected by Anderson

 

Stories by Richard Pike Bissell. Tear sheets from publications, collected by Frank Anderson.

 

"The Black Gates of Keokuk." The Atlantic, 185:4 (Aril 1950), p. 31 -- 35.

 

"Candle Salad." The Atlantic, 194:6 (December 1954), p. 45 -- 48/

 

"The Coal Queen." The Atlantic, 184:1 (July 1949), p. 28 -- 33.

 

Reader's Digest, 55:329 (September 1949), p. 29 -- 34. Condensed from The Atlantic Monthly.

 

"Down on the Tennessee." The Atlantic, 185:1 (January 1950), p. 40 -- 45.

 

Reader's Digest, 56:338 (March 1950), p. 39 -- 44. Condensed from The Atlantic Monthly.

 

"Facing Up." The Atlantic, 186:1 (July 1950), p. 58 - 62.

 

"For Houseboaters the Livin' is Easy." Sports Illustrated, 15:8 (August 21, 1961), p. 38 -- 39.

 

"A Good Natured Tour of Philadelphia." The Sunday Bulletin Matazine (Philadelphia). p. 6 -9.

 

"Good Old Dubuque." Holiday, 15:3 (March 1954), p.2 unnumbered, 83, 86, 89, 91, 128, 131. Illustrated with photography by Elliott Erwitt.

 

"A House Can Be a Boat on a River. Author of Broadway Musical Pajama Game Tells About His Floating Home on the Mississippi." Home & Highway, 9:2 (Spring 1960), p. 4 -- 9. Illustrated with photograph of Bissell and his family

 

"I Don't Wanna Be No Mate." The Atlantic, 196:3 (September 1955), p. 34 -- 37.

 

"A Lighthearted Tour of America." Holiday, 38:1 (July 1965), p. 30 -- 43, 74, 80, 81, 88, 89. Illustrated with photographs.

 

"A Nice Cool Drink on the Porch." The Atlantic, 194:2 (August 1954), p 44 -- 45.

 

"Profit, Prestige, and the Book Business." Publishers Weekly, 159:25 (June 23, 1951), p. 2530 -- 2532.

 

"Sauer Kraut Day in East Dubuque." The Atlantic, 195:4 (April 1955), p. 50 -- 51.

 

"Trouble in Brass." Good Housekeeping, July 1957, p. 88, 158 -- 162, 164 -- 165. Illustrated. Included are items about The Pajama Game and Bissell on p. 22 and 32.

 

Series III: Clippings

 

Series IV: Correspondence

 

Series V: Miscellaneous

 

Christmas cards

 

Photographs of the Bissell House on Alpine Street in Dubuque, taken in 1989

 

Programs for The Pajama Game

 

Artwork by Peter Arno

 

 

2006 Addendum

 

Series I: Manuscripts

Box 4

 

7 1/2 Cents

 

Loose page, perhaps from 7 1/2 Cents

 

Manuscript and typescript. 2 folders

 

Prototype for  1/2 Cents?

 

Typescript

 

Typescript,  various chapters with holographic revisions

 

Setting manuscript, 2 folders

 

Source material and manuscript bits

 

Synopsis and various chapters.

 

Very early manuscript

 

Damn Yankees

 

Typescript with holographic corrections.

 

Goodbye, Ava

 

Down On (or By) the Levee (working title for Goodbye, Ava?).

 

Manuscript

 

Manuscript and notes. 2 folders.

 

Manuscript, bound. Two different copies.

 

M. B. (Marian Bissell?) copy of play

 

First treatment, 1961.

 

Manuscript notes.

Box 5

Musical comedy based on the novel Goodbye, Ava

 

Musical numbers, cuts, additions and original materials

 

A new musical comedy based on the novel

 

Notes

 

Notes and manuscript parts.

 

Notes from meeting.

 

Outline

 

Outline and manuscript

 

High Water

 

Author's galley proofs

 

Manuscript, holographic

 

Manuscript, typescript and handwritten

 

Notes, etc. Endings not used

 

Original version, before editor "advice",  typescript

 

Typescript with holographic corrections

 

Setting copy

 

Julia Harrington

 

Graphics used

 

Graphics not used

 

Manuscript, holographic

 

Original typescript with holographic corrections

 

Monongahela

 

Galley proof

 

Manuscript, holographic

 

Box 6


Manuscript, typed. 2 copies, 3 folders

 

Manuscript ideas, scraps, ideas, etc.

 

Manuscript pages

 

Typesetters copy

 

Pajama Game

 

Estimating script

 

Final film script

 

2 copies. One belonged to stage manager Robert E. Griffith

 

Notes

 

Notices and reviews

 

Play script, June 1954

 

Play script, including music and lyric credits

 

Programs

 

Original manuscript. Contains typescript and holographic portions. 2 folders

 

Scrapbook. The scrapbook has been disassembled. Includes some sheet music

 

Setting copies of the play script with holographic revisions

Box 7

Say, Darling

 

Chapter 1, typescript and holograph draft

 

Play

Bound script. Final? Has music,costume, set, and lighting credits

 

Bound script, cc with holographic corrections

 

Bissell and Burrows work

 

Bissell scenario

 

Documents relating to the play

 

Holographic corrections

 

Miscellaneous bits and dialog

 

Notes taken during rehearsals

 

Pre-production scenarios, proposals, outlines, etc

 

Scraps of script. 2 folders

 

Script with various portions, some intended for auditions

 

Script, typed and holographic. 3 copies

 

Set designs and other pre-production materials. Includes two publicity shots of two unidentified actresses. In Oversized Box?

 

Still Circling Moosejaw

 

Manuscript bits

Mock-up of cover for A Stretch on the River (not used)

 

Stretch on the River

 

Bits and pieces

Box 8

Bound typescript with holographic corrections

 

Chapter outline, notes, early typescript

 

Early typed manuscript (5 copies -- one fair copy and 4 with holographic corrections)

 

Loose chapters

 

Original holograph manuscript

 

Manuscript under the title A Refining Influence

 

Mock-up of cover art work (not used)

 

Screenplay by Noel Houston based on Bissell's book

 

Unused or out of place manuscript pages

Box 9

You Can Always Tell a Harvard Man

 

Bound typescript with holograhic corrections and additions

 

Manuscript, mostly holographic

 

Manuscript, mixed holograph and typescript

 

Notes

 

Scraps, with poetry by Wallace Irwin

 

Typescript with holographic corrections

 

Uncorrected proof

Series V: Miscellaneous

Box 10

Fortune's Darling . An early version of Goodbye Ava?

Misecellaneous documents, mostly having to do with the Mississippi River

Miscellaneous scenes. From a muscial adaptation of Goodbye Ava?

Tommy Bissell drawings and writings from scrapbook

 

 

 

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